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Director: Bob Devino |
New Contemporary African American Fiction
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Jacob Lawrence created this library filled with African-American readers in 1960, recalling his Harlem childhood when he spent many hours in the local library. This is one of several works he executed about libraries. A favorite theme of his was education as a route to advancement for African-Americans; each reader in this piece is involved in the individual pursuit of knowledge but in a public place. |
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Below is a short list of new, contemporary African American fiction
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“Facing memories
that she would rather forget, Crita struggles to reconcile a tumultuous
past with a calmer, quieter present. Needing help along the way, she
may even learn to lean on Tree, the only man who could ever give her
"what she needs to get by." In this riveting debut novel,
Sophfronia Scott speaks for anyone that knows just how hard it is
to go back home again.” |
Scott, Sophronia |
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“Phillips's searing
debut reveals the poverty, injustices and cruelties that one black
family suffers—some of this at the hands of its matriarch—in a 1958
backwater Georgia town. Thirteen-year-old Tangy Mae Quinn loves her
mother, Rozelle, but knows there's "something wrong" with
her—which, as it soon becomes clear, is an extreme understatement.”
– Publishers Weekly |
Phillips, Delores |
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“From Essence
bestselling author Kayla Perrin comes the compelling story of three
generations of African-American women---of their deepest secrets and
most cherished lies.” |
Perrin, Kayla |
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“Established
by twelve runaway slave families who named their new home after paradise,
Eden’s picturesque landscape is deceptively lush. Though Eden was
founded on freedom, an undercurrent of violence burdens all the town’s
inhabitants.” |
Johnson, Shawne |
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“Marcus Major
brings back the beloved characters from his Blackboard bestselling
debut novel, hailed for its "wise commentary on the modern black
family . . . hilarious, entertaining, sometimes outrageous."
– Publishers Weekly |
Major, Marcus |
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The Full Matilda
is wickedly funny, but also bittersweet. David Haynes has created
an unforgettably vibrant and intricate portrait of family, unquestioned
duty, and the price of propriety as well as the enslavement that comes
from clinging to the past. |
Haynes, David |
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Two block parties
held in a middle-class black neighborhood in west Philadelphia in
the summer of 1969 frame the intricate complexities of neighboring
families. Joe, a steadily employed family man, is occasionally haunted
by a longing for his former life as a saxophone player. – Booklist
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McKinney-Whetstone, Diane |
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Set in Lemon
City, an isolated town in the foothills of Virginia's Blue Ridge Mountains
settled by freed slaves before the Civil War, Brown's inspiring, slyly
amusing novel marks the debut of a welcome new voice in African-American
fiction. – Publishers Weekly |
Brown, Elaine Meryl |
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Bestseller Joe's
latest gives a nod to My Fair Lady—and, like the musical, it's predictable
but plenty of fun. Imani Holland has a voice like "velvet on
fire," and she raps the lyrics her boyfriend, Taz, writes; together
they're gonna make it big. – Publishers Weekly |
Joe, Yolanda |
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In Vernon's debut
novel, 14-year-old Maddy Dangerfield, who is reminiscent of Celie
in Alice Walker's The Color Purple or Ellen Foster in Kaye Gibbons's
eponymous novel, must grapple with a cruel, impoverished existence.
– Library Journal |
Vernon, Olympia |
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Parks, winner
of the 2002 Pulitzer Prize for her play Topdog/Underdog, puts her
dramatic skills to good use in this fluid, assured debut novel, the
story of a sweaty road trip from Texas to Arizona in July 1963. –
Publishers Weekly |
Parks, Suzan-Lori |
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In August of 1987, Helene Strickland travels from Washington, D.C., to a small, rural, black town in Lafayette County, Arkansas, for her Aunt Annie B's funeral and to reunite with her mother, who didn't raise her. – Booklist |
Reynolds, April |